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Poetry
Widely published in his related career fields of Deafness and Second Language English, Sal came to poetry relatively late, at first considering his poems "the literary equivalent of singing in the shower." When, however, he saw his earliest efforts appear in national journals, he started to take the genre seriously, finding that it sharpened his language both for fiction and nonfiction.
Whatever his lyrical subject, Sal follows (or tries to follow) these basic guidelines:
Say it passionately. Say it differently. Say it briefly.
DEAF-AND-HARD-OF-HEARINGNESS
As poetry came late in life to Sal, so did his state of "hearing repair." No, he doesn't believe there's a cause-and-effect relationship there, but it seemed natural for his first efforts to focus on his diminishment.
His most recent poem-in-print, "Deafness Lite," headlines the Diversity chapter of the 2006 edition of Understanding Human Communication by Adler and Rodman. Between that opus and his very first one in 1989, his poetry has been featured in such outlets as The Tactile Mind, the Missouri Record, HazMat, the Journal of Visual Literacy, English International, SigNews, Le Mot Juste, and--for a record six consecutive issues--in the annual anthology of the National Association of the Deaf.
His muse, model, and principal booster within this area of interest remains (since 1969) Dr. Robert F. Panara, Professor Emeritus at Rochester Institute of Technology.
Of the 30 poems Sal has published since 1989, the following seven titles are part of his new chapbook, Having a Bad Hear Day, available for purchase in October of 2007 through www.foothillspublishing.com.
Audiogram
Asked
but unsure
how much din
a new deafness from me hid
I saw my ear-self filtered
onto a decibel-graded grid.
Its off-kiltered raw and linear score
code-answered me (not less, not more)
math\trig\geometric'ly.
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Almost a Limerick
A census-taker named Brady
once interviewed a fair lady.
Her reputation? Well... shady.
When finished with their business,
she caused the man some dizziness
off'ring him boudoir permissiveness.
But the gentleman wasn't senseless
or defenseless, and so he withdrew
for, as all of us know is true:
one never end a census
with a proposition!
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Deafness and Eye
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Because one of us can hear
we stand -- you and I --
at opposite ends from each other
face to face, eye to eye
yet feeling far and full of fear.
Still we're family-linked by a line
not of blood like sister or brother
but by sound-free sight and sign
and
though neither of us can hear it
we're two-gethered here by spirit.
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Deafness Lite
So slight is the bereftness of my belated ear-fault
that "Deafness Lite" became the name that I call it.
In a simpler word: things heard are blurred
on the left as well (or as weakly) as right.
Neither half's loss is a matter too drastic
both partly "cured" by batteries in plastic.
But
if
eyeing such signs of silence, Hearer,
or (harder to do) spying a less visible clue
try, by turning your speech slow and clearer
to reach those few who must communicate anew.
And so
that is why
as their advocate I
ask you unafflicted this:
Make me your talking's target
and practice, practice, practice.
Address then the wise assistive eyes
of sisters and brothers with hindered ear
and so come to know, then to de-stranger-ize
those kindred other souls who less than I can hear.
Repeat, reword and patience may reward you,
not by some sense of the charity kind
but by sharing the very daringest adventure:
eyes meeting eyes and mind mating with mind.
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Deaf Penalty
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From the debt and depth of my recent deaf-icit
come social crosses, big and small.
Which is the largest loss of all?
A child's whispered secret.
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Dialog Minus One
If a forest-tree falling in a vacuum
beyond the reach of ear-thly record
can be argued to crash there unheard
then I ask: Regardless of vigor or volume
does mouth-calling wildly word after word
at those among us we know are deaf-ear'd
sending not even a single signal to 'em --
does such verbal violence
bruit enemy of silence
(we lacking the wonder-waters of Lourdes)
deserve the linguistic label of "words"?
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Hardly Hearing
When
vigorous voices
sound as whispers,
what to weakened ears
is a whisper
but wind?
Yet
(you ask)
if lenses lend
vistas to faulty vision,
can't batteried ears
fix failing lobes?
No --
for opticals
also face obstacles
beyond their correcting power:
the anti-sight of nightness,
glare, smoke, and blur.
Neither
can crutches
or wheeled chairs
though lessening limps
eliminate or level
hills or ruts or stairs.
Equal
are blockages
deaf kindreds bear
(invisibly, so less clearly)
asking mouthers merely:
pronunciate please
to ear-free
me.
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Meeting Mr. Goodear
There once was a ma'mselle bereft
of hearing but not on her left.
Her beau, silenced samely,
balanced things gamely
since he was all right on his right.
As a pair they were both very bright
and at trading places so deft
that, to their dual efforts due,
best friends never guessed
much less ever knew
that of this clever two
either had ever been deaf'd!
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AMERICAN LIFE AND LANGUAGE
(A.L.L.)
An honest doctor once admitted: "My job? Mostly to entertain my patients while Nature takes its course."
That premise may or may not apply to the still evolving discipline of helping new Americans to use English. But after some 50-60 years at that task, practitioners of the newer profession still haven't arrived at a name for the process.
Its inter-changeable labels include (at last count) these seven variations: English as a Second Language, Second Language English, English as a New Language, English for Speakers of Other Languages, English Language Instruction, English Language Learning, and ('way off-base) Bilingual Education.
Oddly enough, none of these titles considers the role of culture or our way of life in the acquisition of language. For that reason (and because it is, after all, his Web site), Sal Parlato, Jr., identifies his career field as the teaching of American Life and Language. Hence--hoping it will catch on--the above heading.
Ellis Island
enduring
listening
learning--
immigrants
smiled,
interim
silent
languages
alphabetizing
new
dreams. |
Teach Me
Teach me, target of my inglish
mutedly class-sequestered here
with globe-gathered kindreds
wrestling, all, with rules and rote
that only academics defend as sense.
You, foster son of silence
and you, Deaf's adopted daughter
as turn-about tutor, model for me
by your wisdom, the weakness of words
by your laughter, the limits of logic
by your feelings, the fallacy of fact
by your talent, the treachery of test.
In deciphering me, be master of me.
Become of my tongue a finder of its flaws
of our common culture, reminder of its laws.
You who to English are new
let your first-language youth
whether full of words or free
lend me latter-language truth
ultra-linguistically.
Teach me, learners, do.
Teacher your teacher you.
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Second Language Stages
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Cipher
Silent Worried
Observing Thinking Gesturing
Friends Teachers Television Books
Chatting Joking Arguing
Relaxed Focused
Scholar |
Limerick Latino
Hector had hoped that the fair senorita
(who was anything but a shrew)
would, eye to eye, verify
his feelings and salute him with tu.
His wishes, though inwardly pleaded,
--que lastima--all went unheeded.
In fact his tactic badly backfired
as she reacted with a tired usted.
Defeated, our Spanish roméo
retreated without an Olé. So
he came to the United States where
he prayed more favorable fates there
y a different linguistic muy equalistic
would serve him anew con dual-purpose "you."
Entonces, as love's luck would have it,
that idiom's second-person habit
bobbed up like a cork in foreign New York
in the form of a born-here American,
porque whom should he meet
(and feel good off his feet)
but Evita, a sweet Puerto Rican.
Evita soon ended his anguish
of a vida spent lonely and single
for--Dios be praised--
they ambos were raised
to be supple in more than one language.
Now as a result, hay cause to exult:
this couple was non-monolingual! |
THE MARINES AND ... POEMS?
Not often do you run across the words "Marine" and "Poem" in the same sentence.
Just as rarely will you find passages of poetry or verse within an expose novel about Leatherneck training at 1954 Parris Island, the Old Corps' notorious boot camp during the Korean War. But because of Sal Parlato's hitch within that storied Semper Fi outfit, the unusual matching of art and artillery, poetry and pummeling shows up lyrically in these excerpts from his 2003 serio-comic fiction A MARINE CORPS BOOT IN COLD-WAR PARRIS ISLAND under the pen name of Chris Madeira, Jr.
The Dress Blues Blues
I got them Dress Blues blues
down to my spit-shined shoes
'cause that recruiter man
tried ever' trick he can
sayin' to Gung Ho me
them fancy threads came free.
Not usin' my useless thinker
'n' sure as a pig loves __it,
I caved right in and bit
into his hook, line, an' sinker.
After seventy days of sweat 'n' swill
came the day of boot graduation
when Sergeant Temper hands me a bill
the size of the debt of our nation!
"Boy, put your cash on the company barrel
or borrow at least somethin' partial
or tomorrow find out for dam-sure that there'll
come some poor private's private court martial."
No way that I could do it,
spring for a General's suit
no matter how neat and nifty --
not at eight-four bucks 'n' fifty!
Twist both o' my arms to choose,
I'd spend all that bread on booze
'stead o' payin' my IOU's
or my overdue union dues
while tryin' my best to lose
them bait 'n' switchin'
reason-for-bitchin'
to my buddy Marines
in their itchy wintergreens
them Parris Islan'
'cause o' lyin' (fault's not mine)
Dress Blues blues ...
them Parris Island Dress Blues blues.
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Ditty
Semper Fi
Marine am I
Fashioned by my DI
San Dye-ego or PI
Gal or guy, bold or shy
Float or fly, sea or sky
Wet or dry, head held high
Eye to eye -- do or die
Sailor guy or ex-GI
Family or no such tie
Marching private
Quiet corpsman
Even so-called
Sea-goin' doorman
Far or nigh
Curse or sigh
None deny:
Sir, aye aye
Marine am I
Semper Fi
!
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Gung Ho Guys
Rule the skies? That's no prize:
There's diddly there but empty air.
Seize the seas? Do as you please
if catches of fishes matches your wishes.
What's hellishly hard is, yard by yard
in foe-infested Burma or Seoul
to take control of terra firma.
Whatever the stealth of our hi-tech tools,
"mano a mano" decides who rules.
For, securing a base, who fights better
than an in-your-face Marine bayonetter?
Yo! In time of war today or yore
there's nary a force more ready to score
than your hell-for-leather Leatherneck Corps!
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The New Man Rap
Private Ben Franklin Roosevelt Jones
used to be nothin' but skin and bones
till he upped and joined the United States Marines
who built and bulked him up
on S-O-S and beans.
Now in his dress blues
instead of sloppy jeans
he's the pride of Parris Island
and his brother Marines.
And when he goes to town
every local lovely moans
"There's Corporal Ben Franklin Roosevelt Jones!"
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PEACE AND OTHER PERSONAL FAVORITES
This poetic finale is dedicated to the memory of Philip Berrigan, the unstoppable anti-war activist who, for his non-violent protests, spent 11 of the last 30 years of his life in federal prisons. Phil's beloved conspirator, Father Daniel Berrigan, SJ, is still at it, and as recently as April of 2006 was arrested--at the age of 85--in New York City for demonstrating against a newly launched warship. You'll know which poem describes their relationship and their cause. "Of September 11" was selected for the book, Wounds of War: Poets for Peace, edited by Waldman and May (2006).

Brotherly Love
The pain He suffered on a cross
the Berrigans proffered in prison
paying with their bodies
the price of protest
too costly for others of us:
Philip the Josephite, militarily
Daniel the Jesuit, theatrically
their up-payment toward purchase
of a peace-preserving justice
a justice-serving peace.
Spoiling for a fight
(both siblings knew)
is like oiling a fire
to give you more light.
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Of September 11
(Do the Math)
Within those towering twins
fell too many a soul
to their undeserving fates--
a twice terrible toll
that doubles our pain
but triples our resolve:
Never never never again.
Still
let us not in our straits
stoop to the error
of dividing ourselves
by multiplying the sum
of terror suffered here
times
terror inflicted there
compounding the error of terror
Ground Zero to Infinity
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Capitol (sic) Punishment
(Murder, They Vote)
"Life is sacred," said the no-name no-shame legislator,
"which is why we have to have the death penalty."
Kill the killers, they rave -- those politicians who
with their cruel and unusually callous crew
show us not that justice is blind
but that due to their view and those of their kind
they suffer a form of moral myopia
in their cynical search for electoral utopia.
Slay the slayers, rule they --
the instant solution on their social agendas
for gradual diminution of minority pollution.
Then judging some public problem as horrendous
they pass a law correcting that flaw
and seeking self-fame, they lend it their name.
To murder innocents they, poll-approved, are willing
and perform more coolly the very act of killing
they claim criminal others go about so cruelly:
juries the blood of brothers spilling
legally and lethally
by toxic shot, benignly,
minus rifle, rope, or kill-o-watt
but stilling all hope as finally.
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Eye Contact
Though close as the stem of an i to its dot
still I contact, you contact, we contact not
till twin-dividuals mate via intercourse of vision
as when paired I's fuse and refuse their di-vision.
For, of the other four (or five) of our senses
which is more alive than that of our lenses?
So set the soul's iris from its private night free:
use your two eyes to more than sight-see
lest I contact, you contact, we contact not
though close as the stem of an i to its dot.
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Vocal Advice
Never come poems person-composed
nor do their emotions happen to happen
for, whether penned as passion or prayer,
lightning-like they strike.
Formed as much by wit as by word
reflecting more of mood than of mind
striving less for sense than for sound
equal either as passion or prayer,
poetry's power is a singular thing
as distant from mischievous verse
and from long-winded prose verbose
as differ the upright hands of noon
from midnight's twelve o' the clock.
So remember, you writer of lyric,
creator and creature of music,
whatever concept inspiration may bring
no matter its content, context, or form
make of this precept your constant norm:
A poem ought not to say but to sing.
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Ultimacy
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Mind
much as eye
knows true rest
when fixed upon infinity
where, favoring the afar
both view best
limit-free
ultimacy.
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